EXHIBITION – SOLO
2006 San Marco Gallery, Dominican University, San Rafael, Ca. “An Ongoing Inquiry”
2003 Paulson Press, Berkeley, Ca. “Luminous Debris”
2001 Refusalon, San Francisco, Ca. “Recent Work”
1999 Patricia Sweetow Gallery, San Francisco, Ca.
1997 Patricia Sweetow Gallery, San Francisco, Ca.
Richmond Art Center, Richmond Ca. “Natural Selections”
1995 Okeanos Press Gallery, Berkeley, Ca. “Hive”
Robert Else Gallery, Sacramento State University of California “An Installation”
1990 University of Dayton, Ohio
1989 Shoshana Wayne Gallery, Santa Monica, Ca.
1988 Shoshana Wayne Gallery, Santa Monica, Ca.
EXHIBITION – GROUP
2007 ArtSpace, Jackson, Wy. “Culture of Nature: Uncommon Botany”
Headlands Center for the Arts, Marin, Ca. “Close Calls”
Traywick Contemporary, Berkeley Ca. “Tenth Anniversary Exhibit”
California State University Sacramento, Library Gallery, Ca. “Area – Blurring the Lines”
505 Montgomery, San Francisco, Ca. “Elements of Nature”
Muse Gallery, Jackson, Wy. “Champagne and Chocolate”
2006 Traywick Contemporary, Berkeley, Ca. “Wall Works 2”
Oakland Art Gallery, Ca. “Drawn”
Artisans Gallery, San Rafael, Ca. “The Shape of Things”
2005 Palo Alto Art Center, Palo Alto, Ca. “Leaf” and “Nets”
O’Hanlon Gallery, Mill Valley, Ca “Wabi Sabi”
CELLspace, San Francisco, Ca. - as part of the BAYENNALE Art Fair, “When the Smoke Clears”
2004 BarbaraAnderson Gallery, Berkeley, Ca. “Animal, Vegetable, Mineral”
Barbara Anderson Gallery, Berkeley, Ca. “Artist’s Valentines”
Oakland Art Gallery, Ca. “Interim”
2003 San Jose Museum of Art, Ca. “Visible Rhythm”
Euphrat Museum of Art, Cupertino, Ca. “Re Thinking Nature”
Bedford Center for the Arts, Walnut Creek, Ca. “The Big Tree Show”
Nathan Larramendy Gallery, Ojai, Ca. “Organic”
Julie Baker Fine Art, Grass Valley, Ca. “Small Works Show”
Tahoe Gallery, Sierra Nevada College, Incline Village, Nv. “Behind the Scenes”
2002 Oakland Art Gallery, Ca. “Visual Alchemy”
SFMOMA Art Gallery, San Francisco, Ca. “Bay Area Printmakers”
Julie Baker Fine Art, Grass Valley, Ca. “Baker’s Dozen”
2001 San Jose Museum of Art, Ca. “First Impressions: Paulson Press”
Palo Alto Art Center, Ca. “Current Holdings: Bay Area Drawings/Bay Area Collections”
Modesto Junior College Art Gallery, Ca. “Walk the Labyrinth”
Silent Gallery at Refusalon, S.F. Ca. “Last Place”
2000 Refusalon and KALA Institute, S.F. and Berkeley, Ca. “High Touch/High Tech’
Modesto Junior College Art Gallery, Ca. “Life Signs”
1999 Noga Gallery of Contemporary Art, Tel Aviv, Israel “Mi Casa es Su Casa”
Palo Alto Art Center. Ca. “Artist’s Pages”
San Francisco Art Commission Gallery, Ca. “Natural Selection”
1998 Southern Exposure Gallery, S.F., Ca. “Nothing but Time”
Trans America Pyramid Gallery, S.F., Ca. “Translucent”
San Francisco Museum of Art Rental Gallery, Ca. “20th Anniversary Show”
Patricia Sweetow Gallery, S.F., Ca.
Traywick Gallery, Berkeley, Ca. “Revolver”
Trans America Pyramid Gallery, S.F., Ca. “Inside/Outside”
Traywick Gallery, Berkeley, Ca. “Paulson Press Prints”
Emeryville Annual Exhibition, Emeryville, Ca.
1997 Euphrat Museum of Art, Cupertino, Ca. “Land Value”
Bedford Center for the Arts, Walnut Creek, Ca.
Refusalon, S.F., Ca. “Stirred, Not Shaken”
Sunnyvale Creative Arts Center, Sunnyvale, Ca. “Perception”
Emeryville Annual Exhibition, Emeryville, Ca.
1996 Bedford Center for the Arts, Walnut Creek, Ca. “Natural Phenomena”
Refusalon, S.F., Ca. “Nothing Matters”
San Francisco Museum of Art Rental Gallery, Ca. “Re Found”
Emeryville Annual Exhibition, Emeryville, Ca.
SOMAR Gallery, S.F., Ca. “Here”
Palo Alto Cultural Center, Ca. “Interior Lines”
1995 Gallery Nobara Fujiyoshida Ciy, Japan
The Breast Project Exhibition, S.F., Ca.
Emeryville Annual Exhibition, S.F., Ca.
1994 Tokyo Bunkamura Gallery, Shibuya, Tokyo, Japan
City Without Walls, Newark, New Jersey “Sign Language”
Berkeley Art Center, Berkeley, Ca. “10th Annual”
Gallery Art Salon II, Chiba, Japan (June)
Gallery Sansaido, Kofu, Japan
Emeryville Annual Exhibition,Emeryville, Ca.
Okeanos Press Gallery, Berkeley, Ca. “Alphabet Show”
Gallery Art Salon II, Chiba, Japan (October)
Gallery Ism, Hamamatsu, Japan
1993 Gallery Paule Anglim, S.F., Ca “Introductions”
1529, Susan Landau,, Los Angeles, Ca. “One Nail”
Intersection for the Arts, S.F., Ca. “Object”
1992 Rike Gallery, Dayton, Ohio
1991 Takada Gallery, S.F., Ca.
1990 City Without Walls, Newark, New Jersey
1989 Christopher John Gallery, Santa Monica, Ca. “Josephine Press Prints”
Venice Art Walk and Auction, Venice, Ca.
Pence Gallery, Santa Monica, Ca. “Art and Soul Exhibition and Auction”
1988 Art Space Gallery, Woodland Hills, Ca. “Works on Paper by 5 Los Angeles Artists”
Loyola Law School Gallery, Los Angeles, Ca. “Taking Liberties”
1987 MOCA, Los Angeles, Ca. “15 x 15”
Shoshana Wayne Gallery, Santa Monica, Ca.
Gwideon Gallery, La Jolla, Ca. “Black Lines”
1986 Shoshana Wayne Gallery, Los Angeles, Ca. “New Faces”
Barnsdal Art Gallery, Los Angeles, Ca. “Kindred Spirits”
1983 Downtown Gallery, Los Angeles, Ca. “Nine Women Artists”
1980 Tucson Museum of Art, Az. “Arizona Biennial”
1979 Broadloom City Gallery, Tucson, Az.
EDUCATION
MFA – Otis Art Institute of Parson’s School of Design, Los Angeles, Ca.
BFA – University of Dayton, Ohio
AWARDS
1993 Art of California Discovery Award – Gold Prize – Works on Paper
1989 National Endowment for the Arts Fellowship
PROFESSIONAL EXPERIENCE
2008 Dominican University of California, San Rafael, Ca. - Guest Lecturer
2007 Environmental Protection Agency, SF, Ca. - Guest Lecturer
2006 Dominican University of California, San Rafael, Ca. – Guest Lecturer
College of Main, Kenfield, Ca. – Guest Lecturer
2004 California College of Art, Graduate Studio Practice Advisor
2004 California College for the Arts, San Francisco, Ca. – Guest Lecturer
2003 San Jose State University. Ca. – Guest Lecturer
2001 Dominican University of California, San Rafael, Ca. –Guest Lecturer
2000 San Jose State University, Ca. – Guest Lecturer
1986-87 Los Angeles County Museum, Ca. Education Department, – Instructor
PERFORMANCES
2003 Oakland Art Museum, Ca. “Beer Drinking Sonata”
composed by Tom Marioni
1997 Legion of Honor, Fine Arts Museums, San Francisco, Ca. “Art Orchestra”
composed by Tom Marioni, conducted by Stephen Goldstine
RESIDENCIES
2008 Djerassi Resident Artist Program, Woodside, Ca.
2007 California State University, Sacramento – Sculpture Department
1998 Djerassi Artists Residency Program
COLLECTIONS
Nancy and Edward Kienholz, Hope Idaho
San Jose Museum of Art, Ca.
De Saisset Museum, Santa Clara, Ca.
Portland Museum of Art, Portland Maine
Eli Broad Foundation, Los Angeles, Ca.
Jacquelynn Bass, Berkeley, Ca.
Agnes Bourne, Jackson, Wy.
Israeli Consulate, San Francisco, Ca.
3 COM Corporation. Santa Clara, Ca.
Marko Lacin, Geneva, Switzerland
COMMISSIONS
Swiss Re Corporation, San Francisco, Ca.
BIBLIOGRAPHY
Elaine O’Brien, U.S. News Corporation, Online, OpEd, November 2007, Needed: A Fresh Vision – Seeing What Was There But Unseen
Roger Bringham, The Emeryville Connection, p. 1, October 2007, “Art Exhibit Celebrates 21st Year”
Richard Anderson, Planet Jackson Hole, p. 35, 36, June 20, 2007, “Strange Blossoms at ArtSpace”
Celeste Dennis, Splash!, p. 38, Spring/Summer, 2007, “Uncommon Botany”
Mary Lou Thiercof, Emeryville News, p. 3, November 2006, “Inside the Emeryville artist’ studio”
Scott De Varney, Wave Magazine, August, 2005, “Summer of our Discontent”
Rebecca Wallace, Palo Alto Weekly, August 12, 2005, Art You Can Touch”
Josef Woodard, Los Angeles Times, December 4, 2003, “All Certified Organic”
Rob Campbell, Ventura County Reporter, December 15, 2003, “Natural Refinement: Organic takes art by the roots and (gently) pulls”
Vera H-C Chan, San Francisco Chronicle, East Bay Issue, p. E6, June 27, 2003, “Historic fallen oak inspires artists to branch out”
Debra Koppman, Artweek, p. 17, June 2003, “ReThinking Nature at the Euphrat Musuem of Art”
Debra Koppman, Artweek, p. 25, July-August, 2003, “The Big Tree Project”
Lindsey Westbrook, East Bay Express, p. 33, June 25-July 2, 2003, “Wood Should; Artists honer fallen tree”
Hannah Craddick, Diablo Arts, p. 22, 23, 26, 27, July-September, 2003, “The big tree becomes art”
Robert Taylor, Contra Costa Times, p. D1,2, June 26, 2003, “A tree reborn”
I-chun Che, The Cupertino Courier, p. 12, April 9, 2003, “Euphrat offers up art that explores world of nature”
KO, Urban View, p. 9, February, 2002, “Eye Spy”
Monique Beeler, Bay Area Living, p. 1, 5, October 14, 2002, “Guns, stones, personal ads inspire Emeryville artists”
Kenneth Baker, San Francisco Chronicle, December 14, 2001, Gallery reviews
Sandy Thompson, Artweek, p. 17, June, 2000, “High Touch/High Tech at Refusalon”
Sarah Coleman, San Francisco Bay Guardian, p. 110, April 21, 1999, “Gale Antokal/Mari Andrews”
Benoit Denizet-Lewis, Contra Costa Times, p.F-1, December 18, 1997 “Ho, ho whoa!”
Jolene Thym, The Oakland Tribune, p. C-1, October 2, 1997, “Exhibit celebrates Emeryville arts community”
Steven Jenkins, Bay Area Reporter, p. 51, March 27, 1997, “For your eyes only ‘Stirred not Shaken’: Refusalon show is aesthetic espionage”
Jennifer Asche, San Francisco Chronicle, p. EB5, December 12, 1997
Jennifer Asche, San Francisco Chronicle, November 28, 1997, “A Tree Glows in Bedford Gallery Exhibit”
Paul Sterman, San Mateo Times, p. c-2, October 24, 1996, “Modernized myths, unique drawings and Africa”
Jim Harrington, Palo Alto Weekly, p. 8, October 18, 1996
Harry Roche, San Francisco Bay Guardian, p. 45, August 14-20, 1996, “Plenty of ‘Nothing’”
Andrew Garden, Walnut Creek Journal, p. B1, April 11, 1996, “Art Takes on a natural look at Bedford”
Matt Peiken, Diablo Arts, p. 26, Spring, 1996, “Back to Nature”
Jolene Thym, The Oakland Tribune, p. B1, April 1, 1996, “Natural Selection; ‘Natural Phenomena’ exhibit takes a powerful look at the order and beauty of nature”
Mary Hull Webster, Artweek, p. 19, June 1996, “’Natural Phenomena’ at the Bedford Gallery”
William Zimmer, The New York Times, p. 10, February 27, 1994
David Bonetti, San Francisco Examiner, p. C-4, January 13, 1994
David Bonetti, San Francisco Examiner, p. E-4, July 16, 1993
Suvan Geer, The Los AngelesTimes, p. 25, November 10, 1989
David Wharton, The Los Angeles Times, p. 25, September 1988
Marlene Donahue, The Los Angeles Times, p. 19, February 19, 1988
Robert Pincus, San Diego Union, p. E-1, June 28, 1987, “2 shows bring little-known artists into worthy focus”
Marina LaPalma, Artweek, May 17, 1986, “A Conjunction of Affinities”
Marge Bulmer, Los Angeles Reader, p. 1, May 9, 1986, “Kindred Spirits”
Suzanne Muchnic, The Los Angeles Times, May, 1986, “Exploring Emotional Connections in ‘Spirits’”
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